This profile of Scott Adams, the genius who created the Dilbert comics, has its focus elsewhere (his rationalizations of the rise and rise of Donald Trump during the US Presidential primaries and election), but somewhere in the middle is this gem (in bold, below) [If you are wondering why it stuck a chord, you haven't seen this ... (;-)]:
Adams’s Dilbert empire has been growing for three decades. When he launched the strip in the late ’80s, long-running staples such as Dennis the Menace, Family Circus, and Blondie seemed saccharine and dated. Adams’s creation was fresh, starring a sardonic software engineer named Dilbert; his conceited and grandiose dog, Dogbert; an incompetent boss; and a host of odd co-workers. Early installments showed Dilbert at home. When Adams refocused the strip on the workplace, it caught fire among a generation of office drones who spent their days staring at spreadsheets and slide decks. While workers had long tacked comics like The Far Side and Cathy to their felt cubicle walls, to say something about themselves and their brand of humor, here was a subversive comic about cubicle culture itself. During the ’90s, amid waves of corporate downsizing and the tech boom, a zeitgeisty Dilbert graced the covers of Newsweek, Time, and Fortune. Adams churned out Dilbert-themed calendars, knickknacks, and even a TV show. He also penned op-eds and business tomes, including The Dilbert Principle, based on the theory that companies tend to promote their least competent employees to middle management, “removing morons from the productive flow.”
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Update: Wikipedia has an entry on the Dilbert Principle, in case you are interested.